Course details
Do you sometimes wonder why a composition works in some paintings and not so well in others? Join Alice Mumford to investigate the common themes that underpin paintings from different eras in Western Art and how this can help your work.

This new online course looks at key elements of composition such as how we navigate or enter and exit a painting. Alice will share the ideas that she uses in her own painting practice to solve practical problems and resolve a painting, ultimately teaching you to become a better ‘looker’ and a better ‘painter’.
Over the duration of the course you will be working through pre-recorded video footage of Alice demonstrating her concepts and bringing her ideas to life in front of the camera. Throughout the course you will be encouraged to do your own research into artists and paintings and experiment using whatever you have to hand, i.e., paper and glue, charcoal and paint to help develop your own understanding of composition.
A summary of the key eight themes explored in the course:
Static and Movement – How to identify powerful symmetry, naturalism, and mini dramas, how the eye “pairs up”
Spatial Tension – What is spatial tension, when does and doesn’t it work and how is it used in figurative and non-figurative paintings?
Triangles – How do you create the reassuring feeling of gravity in a painting and why would you want to?
Golden Section – Why has the golden section been of such influence on Western art forms throughout history, how to work out where the golden section is and how to make use of it
Romantic Landscapes – How attitudes and ideas about nature have influenced compositions in landscape painting, from the formal garden to rewilding, how to use the classical zigzag to enter and take the view around a landscape, why our relationship to the land has changed the way we depict landscapes
Breaking the Fourth Wall – How the fourth wall is used in paintings, how a mirror can provide a means of experimenting with the fourth wall
Top Trumps – How painters tackle large complex paintings where lots of things are going on and how they direct the viewer, how artists use different hierarchies, a bit like playing Top Trumps!, how to compose using light and line
Lost Horizons – Why the invention of perspective changed the way we respond emotionally to a painting, to try and draw emotionally and forget the horizon.
As part of this course there will also be a Bonus Lesson and two pre-recorded Q & A sessions available to watch, where you can watch Alice respond to students and see if your fellow students had the same questions as you!



Who is this course for?
This course is suitable for anyone with an interest in art. It will be useful for those who would like to get more out of their visits to galleries or for artists looking to improve their understanding of how to successfully compose pictures.
What will I learn?
1. A better understanding of composition
2. How to avoid composition clangers
3. How to alter paintings that don’t work
4. How to create harmony in your art work
5. How composition underpins an art work helping you read paintings with more confidence.
How does an online course work?
Upon purchase, the course will be available to view in your account. We would recommend watching one lesson a week. This will give you time to watch the lessons, carry out your own research and prepare for the next lesson. The pre-recorded classes are on average 45 minutes long and the Q and A sessions an hour.
You will be invited to join our Facebook Alumni group so you can share your discoveries with fellow students from around the world. You can also share your work live with others on social media using the #schoolofpainting and tagging us @stives painting
You can watch on demand, as often as you like, for up to 180 days after purchasing the course. You can watch on a PC, laptop or tablet and if you have chromecast or miracast you could even cast to your SmartTV from your phone.
Taught by
What to Bring
A list of materials will be available to see in your account upon purchase of the course. If there are any pre-course tasks to complete before the session they can be found here too along with any handouts and reference material relevant to the course.
You will need access to the internet and ideally a PC, laptop or a tablet with audio.
Timings and Breaks
Watch now at your leisure with plenty of opportunity to watch again as often as you like and let the ideas percolate.
You can revisit as often as you like for up to 180 days after purchasing the course.
What our students say
I looked forward to the lessons each week. I also enjoyed that Alice illustrates the points with her own art work, including real-time demonstrations, as well as showing examples from other artists . I really learnt a lot from her.
I always enjoy Alice’s presentations, she got a lovely warm and natural way about her. The content for each topic was generous and and well given. Inspiring and insightful overall. The course has been very helpful and I’m using what I learnt in my own paintings. I feel it’s improved my artwork.
This class was something I looked forward to each week and it never disappointed. When the summer’s over and the nights are long, I will definitely take this course all over again before it expires.
Firstly Alice’s natural, entertaining, thoughtful and enthusiastic presentation. This made it one of the best on line courses I have ever watched. The wide scope of material made it so educational for me – now in my 70’s and having not ever studied art. It encouraged me to learn more and to think about composition in new ways. So helpful.
I just loved it.
All of it!
1. Alice taking us through artworks in search of composition approaches she wished to highlight each week
2. Demonstrating her thoughts using paper/paint
3. I loved when she brought her own work in, showing how she might solve a particular composition challenge she saw in her painting
4. So helpful to have an “assignment” each week to apply a lesson
5. I loved Alice’s engaging lessons and appreciate her generosity as a tutor
The topics covered were really interesting and informative. To think, as the artist, I can choose a type of compositional tool, and use it to make the work stronger, gives me more confidence when looking for a composition.
