Are you open minded, motivated and ready to focus on your work yet still feel stuck and would relish feedback on what you are creating? Then joining our one year programme could be just what you need. Our Porthmeor Programme, now recruiting for its fifth year, is ideal for those looking to commit to longer-term development with a supportive group of peers. We create a nurturing and safe space so you can take risks and gain the confidence you need to move your work to the next level. An artist tutor will be with you all the way, so they get to know you and your work.
What will I do in the sessions?
Workshops run over weekends so students can travel from across the UK to join us. They always have a practical making element as we believe we learn best through making and doing although we also build in time to reflect, discuss and critique. These sessions explore five key themes.
Encouraging risk and experimentation
Exploring personal narratives and stories
Responding to place, personal spaces and connections
Discovering the essence -refining and removing
Translation and interpretation
The process will take you on a journey over the year with the primary purpose of expanding your personal practice.
Running through the programme is the development of your critical voice through personal projects, one to ones and group crits. Developing confidence in translation and interpretation is also a ‘creative muscle’ worked on constantly over the nine sessions.
Who is it for?
We cater for a range of students from early stage artists to those with more experience looking to challenge and stimulate their practice. We believe that developing a strong practice is where you start. The focus is not on the secrets of getting gallery representation or making a living as artist or even how to improve your painting technique. It is about helping you become the artist you want to be. This is the first most critical and exciting step and we believe this is what we can help you with. The time goes very quickly on the programme and you will get the most out of it only if you can invest in your practice in between the sessions to develop work, experiment and research.
How is it structured?
Following an intensive three day study weekend, a rich and varied programme of 8 weekends will be provided around every four to six weeks with a break in July and August. Over the summer there will be a personal and a group project set for you and a Zoom online meetup with your peers and tutor.
Who are the tutors?
There are two lead artists taking two group Kerry Harding and Peter Skerrett. They will be there for most of your nine weekends. They curate the programme bringing in guest tutors that will work with you on the five themes. These tutors are usually experienced tutors from the School.
Will I be taught new skills?
The sessions are varied and most people will come across a new technique or nugget of information they will find valuable. However, the primary focus is not on developing your painting skills in these sessions. It is about discovery, taking risks and gaining insights. We design the sessions to limber up your creative practice, to energize and to build the critical voice you need as an artist. We are happy to advise you on our shorter course that offer a huge range of practical skills development.
How much contact time is there with tutors?
Your lead tutors will be with you on most of the nine weekends. On some of these days there will be also a guest tutor. There will be a number of one to ones over the programme as well as group crits with your peers. In between sessions the tutors are not available, but we will encourage students to set up their own WhatsApp group to offer peer support and encouragement.
Who else will be on the programme?
Every year is different. We have had new graduates to people who have retired and now have the space to devote to their creative practice. We have had textile artists to filmmakers, those with degrees and MAs to those who have developed their practice from doing short courses. There will be a group of 8 and a group of 10 so the cohort will be small. Many people travel to St Ives to do the programme. People have travelled from London, Wales and all parts of the South West. Whatever age, background or experience you will all be there for the same aim of unlocking the artist you want to be. Your peers will often become a solid group of support that you can take with you far beyond the length of the programme. A Facebook group is set so students can also stay in touch with each other over the year.
How much does it cost?
Payable in 3 instalments: £150 initial deposit, £1,200 by end Jan, £1,200 as course starts.
The fee includes tuition, your materials during the workshops, access to free life-drawing classes throughout the programme and professional seminars to plan next steps.
What happens when the programme ends?
We programme in number of long weekends exclusively for alumni for those that feel they would like to touch base again and refresh. After that we have a number of offers including artist retreats ranging from five days to a weekend, the opportunity to hire one of our studio with a one one crit as well as some online meet ups.
“I feel I am more confident in my ideas and approaching work in a freer more experimental way. I’m more able to push through when the going gets tough. I spend less time worrying and more time painting.
This programme is a real tonic for artists, the playful approach and the serious are well balanced. It’s great to have surprises and learn something new. I have felt nurtured and challenged throughout” Jill
Two groups will run concurrently: Peter Skerrett will lead a group of 8 and Kerry Harding a group of 10. Both artists have a wealth of experience in teaching and their own artist practice. We want to make sure the programme is going to be a good fit for your current needs. Participants will be selected based on their desire to develop, their ability to commit to making work between sessions and the impact on their practice from joining the programme now. The selection panel will also consider the mix of the group in terms of approaches and experience.
|Group 1||Group 2|
|24 – 26 April||1 – 3 May|
|6 – 7 June||30 – 31 May|
|3 – 5 July||26 – 28 June|
|Summer online tutorial||Summer online tutorial|
|11 – 13 Sep||4 – 6 Sep|
|10 – 11 Oct||10 – 11 Oct|
|21 – 22 Nov||14 – 15 Nov|
|8 – 10 Jan||15 – 17 Jan|
|6 – 7 Feb||13 – 14 Feb|
|19 – 21 March||19 – 21 March|
Please send us up to five images of your work and no more than five hundred words explaining why you will benefit from joining the programme now, your ability to commit to making between sessions and what you would hope to gain. If you are short listed by the selection panel, we will then be in touch to have a chat via Zoom, so we can get a better feel for how it might work for you. For more information please contact us on 01736 797180 or email@example.com. subject: Porthmeor Progamme
KERRY HARDING Kerry’s paintings are her own particular view of nature with paint remaining the hero. By years of exploring more experimental uses of this medium Kerry has a distinctive vocabulary of marks and surfaces that successfully interpret the textures and atmospheres of the Cornish landscape. An experienced painter and skilled tutor, Kerry studied fine art at The Ruskin School, Oxford University in 1991 followed by an MA in fine art at Falmouth and has been teaching at St Ives School of Painting since early 2014. She exhibits widely across London and the South West. See more images at kerryharding.co.uk
PETER SKERRETT Peter Skerrett is a Senior Lecturer in Drawing at the Falmouth School of Art, Falmouth University (since 2001) After a career as a set designer for the theatre and as an Architect, Peter now has his own practice as an artist in his studio at Potager Garden in Cornwall which he co-founded in 2001. His practice is diverse; now mainly concerned with painting and drawings but also incorporates rug making, writing and furniture design. Design commissions include an alter for Truro Cathedral, conversion of an industrial building to artists’ studios in Penryn and many private houses and gardens around Cornwall. As both an artist and designer he is interested in the threshold between our private and public nature. Observations made in a variety of places take on new narratives while he works with them in the privacy of the studio. Three years ago (2015) he was awarded a fellowship at the Florence Academy of Art where he learnt the sight size method of drawing. Peter’s diverse approach to his personal art practice and his experience supporting other creatives makes him an exciting lead artist on the Porthmeor Programme for 2019. He also delivers a course using an experimental approach to drawing to help students discover exciting new ways to develop their own creative voice.
Looking for accommodation? Do browse our website St Ives Accommodation but if you are on a tight budget you might like to consider the Cohort Hostel. Cool, contemporary hostel accommodation in the centre of St Ives. Beds from £20/night (room only). WiFi, Courtyard, Bar, Lounge, TV Room, Fully equipped kitchen, Secure dorms and private rooms. Tel: 01736 791664 Travelling from London? The sleeper train leaves Paddington on a Friday evening arriving at St Erth on a Saturday morning at 7.40 with the cost of a single cabin £60.
Alumni weekends coming up
Feeling a Porthmeor Programme shaped hole in your life? The Porthmeor Alumni Long Weekends are a series of stepping stones leading on from the solid foundations you have built over the year. Reconnect with the supportive resources of a professional artist tutor; the Porthmeor Studios and an intimate peer group familiar with the unique experience of your artistic journey as a Porthmeor Programme alumni.
18 – 20 October 2019
6 – 8 Dec 2019
10 – 12 Jan 2020
03 – 05 April 2020 (Full)
Alumni self study with tutorial
30 march – 2 April 2020